Tuesday, March 31, 2015
FALLEN PEDDLES
A bouquet of roses, delicate and long stemmed,
smashed repeatedly upon the shoulder of her lover
in a giddy playfulness which rained peddles upon the floor.
a floor of urban grit and grime.
her screams of submission
went unheard
by her lover of dreadlocks passion
and half covered ass.
golden from ear to tooth
he was as sensual as he was boorish.
their affections
displayed a certain indiscretion
upon the world
as we all witnessed it
cramped and annoyed.
like voyeurs
we all indirectly watched.
we all had no choice.
we,
the rail passengers,
the couple’s audience,
looked through their actions
and far beyond the woman's cries
-- because we all had heard them before
and became tolerant.
their passions raised and continued just as we
rolled
along the tracks of
the Path.
there were others on the train.
some asleep, others chillin'
-- as they would call it.
all of them dressed in rag tagged grunge
and tattered plaid and grilled tweed,
a 40 in one hand,
and a middle finger
ever ready to be triggered.
flicked and shot up at those that would abject
to a generation called X.
cold and careless to the world
it was summer everyday and all the time
for this cogently lost age.
rappa tap tappin' a
tongue click clappin'
they beat a steady rip
to the roar of the underground train.
and bothered no one at all
in their world of choice.
the train continued
rickety tickety
rip roar and roll
through the urban veins of a city.
the sound of the Path
to Journal Square from 33rd
echoing the passing of a dying night of decadent delight,
crawling unrelentingly towards the possibility of a new day.
rail
dirtied and used
she moved abused
in a timely fashion.
much like all those that came and gone
as they went about their personal business.
like rejected monopoly pieces
set upon plastic and pseudo leather squared seats,
they all just sat
and stared.
each rider either passing go
and not collecting $200
or habitually crapping out,
waiting for that double
to get out of jail,
sentenced to a lifetime of monotony and mediocrity.
a brief stop here,
a brief stop there,
the world and beyond came along for the ride.
23rd Street, 14th Street, and 9th
i saw the tired, the hungry, and the morally troubled.
some chasing facsimiles of the Quest, Red Man, Gangstar
and the sister Queen.
still others just acted the part
and watched
the cracks of men and women,
eye to eye
contact for contact.
and through all
the rip rattle and roar
not one word was uttered.
but if you spoke in eyes
. . . . . . . . . . . . . . . too much was said.
Christopher Street
-- the stop of P's and C's
stiffen some
and brought more conversation to others.
both spoken and unspoken.
befuddled men spoke in spit filled slurs
which spewed upon the residents of the cars,
going home,
it would seem that the street beggars are starting earlier.
or was it late?
at four in the morning
in a city that never sleeps
time was irrelevant.
sleep was futile.
and life,
the will to live
was all that was necessary
when alms for the poor became the only way to survive.
screeches and jerks
the countdown to finality
after Grove, Newport,and Exchange Place,
we ended in New Jersey,
its city and
Newark.
an assumed subtlety,
in its deception of safety.
for but one dollar of happiness,
one more dollar to step on the rose peddles on the floor
we end our exhibition
within the soul of the Path
and go home to our other selves
as the sun rises.
Fallen Peddles written by Shazza Nakim
Copyright © 1993 All Rights Reserved by Peace of Mind Publishings, Inc.
Labels:
Black Image,
Economics,
Homeless,
PATH,
Poetry,
Spoken Word,
Urban Life
MADE IN AMERICA
i was made
in america
conceived
in a korean made bed
by an
african american woman
and
jamaican father.
birthed in
a jewish hospital
and
branded on the butt by an east indian doctor
i was held
and fed by haitian and dominican nurses.
i was
wheeled to my new family
by a
german born woman
to grandma
who cooed while father drove
in his
japanese made car
passing
greek and italian restaurants
and an
irish own coffee shop.
my
father's friend made us a portuguese feast
for good
health and a full future
while Adel
praised my coming in several of his prays.
with
slavic cheers and gifts of wonderment
my cousins
with latino excitement arrived
with my
aunt from puerto rico
commanding
order for my mother and me to rest.
in my
prussian styled home
grandpa
called from canada.
he'll be
late coming for the visit.
and
Elijah,
that's my
brother,
arriving
from catholic school
is
uncertain where he now belongs
in his now
expanding world.
the day
moved on
as did all
the enthusiasm around me.
the joy to
a world,
touched by
my presence,
i cried
for food and soon slept
in my
small world called
america.
made in
america written by Shazza Nakim (c) copyright 1994 Reserved to Peace of Mind
Publishings, Inc.
Labels:
Immigrants,
Minorities,
Poetry,
Spoken Word,
Urban Life
Wednesday, March 11, 2015
Starlight Ball
Searching
for that perfect wall flower before
midnight approaches.
The last
dance on wooden floors cracked with memories.
Arms held
high and silk draped over young naked shoulders,
locked
together and spinning in small circles
then
dipping,
filling
the stale air with fancy perfume
--
straight from Paris.
The dance.
Men's
suits,
uniformed,
pressed sharp and tight
for
sailing,
come morn,
the
rallying call
for a
spirit soon to be lost.
As said by
every father
and their
father's before.
Generations
of stories told.
Only
theirs with different players
equal with
drama and tragedy.
The story
of all the children of God
leaving
the Choir of the Angles
to sing no
more.
So they
dance.
Starlight
dust settling in young eyes
floating
from the floor, cracked and hollowed,
dust which
reflect strobe lights and sparkle like moving points of light
illuminating
a portion of this hall of happiness.
White on
White
head to
toe,
marionette
dancers place ruby red kisses that blend
with rosy
cheeks of innocence.
Baptizing the
future of the Nation's dream,
their only
consolation of hope.
For they
all know
-- all too
well,
it will
fade come daybreak.
The dance.
Just as
all dreams,
we soon
forget them in time
and
continue about our lives.
Somewhat
changed,
somewhat
older,
that much
more further
into the
dance
at the
Starlight Ball.
Starlight Ball written by Shazza Nakim (c) copyright 1994 Reserved to Peace of Mind Publishings, Inc.
Starlight Ball written by Shazza Nakim (c) copyright 1994 Reserved to Peace of Mind Publishings, Inc.
Labels:
Lindy,
Military,
Poetry,
Shazza Nakim,
Spoken Word
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