' There is a method to my madness. '
Work is
the sole property of Shazza Nakim and is published with written
permission by the artist.
(c)
Copyright 2013



I want you to HEAR my voice as well as take the time to get to know my presence while I speak with you on the last day of Kwanzaa which happens to be on the first day to the Christian New Year 2008. Often when you open up to people, you not only get a sense of a person's strengths but deeply, you sense their weaknesses and insecurities. That might be our way of helping, the nurturing part of our being. Equally, it is our strength to measure our position for dominance and control over people as well. Regardless of the reasons, we use our connection with people to bring them into our fold to build upon our comforts and associations in our communities.
Conversations
for a while during Kwanzaa’s seven-day celebration has encompassed the
principles that we all try to live by as we move into the next year (or
as we express the next phase of our lives). Kwanzaa, derived from the
Kiswahili phrase “matunda ya kwanza”, Kwanzaa means “first fruits of the
harvest.” Kwanzaa’s purpose is a reaffirmation of peoples commitment to
ourselves, our families, our community, and our fight for equality and
justice.
Two days ago I watched the National Geographic Channel’s show TABOO.
Like all things National Geographic I find what other cultures and
countries do a fascinating topic. Now I do not believe that National
Geographic to be 100% fair and balanced, but for the most part, the
reporting is accurate. On the day I watched there were several topics of
taboo discussed; food, self-mutilation and coming of age rituals. The
continents covered were Asia, Europe and Africa. When it came to Africa
the country of focus was the West African coastal nation of Benin. There
are groups of African people who practice a male coming of age ritual
when the Men challenge each other by whipping each other to “test” their
Manhood. The youth at the age just before adulthood are brought
together in a ceremony for all to see and experience are stripped,
made-up and displayed for their masculine beauty. At the center of the
community its one man versus another man in an, "I whip you and you whip
me competition". The whips are made of tree branches (the very same
branched our mothers and fathers, grandparents and elders used on us
when we were children) and made in such a way that they can cause the
most pain and damage. The goal, to make the person inflected with the
lash cry, scream or pass out due to the pain. To fail this test would
bring shame to the family and not allowed to marry. For the women, it
was a chance to see what eligible men would be available for marriage.
We "are" different than our African Brothers and Sisters but this
difference when you look at the big picture is small. We might think
that the differences are as large as the Atlantic Ocean is wide but it
really isn’t. When it comes to culture, it is just a matter of language,
limits and freedoms and knowledge about community. I see Black men with
Omegas and Sigmas branded into their skin, Black men with tattoos that
cover their whole arms, chests, necks and backs, I see Black men with
piercings in their ears, eye brows, lips, nose and sexual organs,
circumcisions, Mohawks, dreds, capped teeth, plastic surgery and I know
that in Africa, many of our beatifications or ritualized practices in
America would be equally taboo to them. To be honest, these actions are
taboo even to our own people here in the United States. Yet, take away
all the social stigmas and social differences, when you look at a
worldview, family and economics, we have more in common almost identical
commonalities which displaces any African ritual that we as Blacks in
American are disconnected from. We often find that in our disconnect, it
is often based in our lack of understanding of our core being as Black
people which is why Kwanzaa is so significant in our healing. At its
core unity, self-determination, collective work and responsibility,
cooperative economics, purpose, creativity and faith is what facilitate
that gap.
Corporate executives hire Black people to create and cultivate Niggaism in media. This isn’t a theory or a speculation; it is in deed a fact. The Media not necessarily a Think Tank of individuals around a triangle type table with some King Arthur figure at its point, media in this case being; music, film, television, Internet and news. With many of these sources greatly consolidated into the hands of single individuals, the practice of “Niggaism” perpetuates and compromises the collectivity of quantity as oppose to the actual quality of Black culture. The practice of how many Black people will buy into to this is simple, sweet and a cheap commodity. Niggaism is a formula that people in America into the World has bought into, becoming the norm for which all others see Black people as being. We can see evidence of this in Music Video and Television Shows which centers on Black life, often in the form of comedies, local News reports where a daily dose of horrible crimes concentrate on Black Families and or Black on Black crimes, International News where the continent of Africa is a cesspool of death and disease and genocidal wars, or the traditional political and cultural debates between Black Leaders in America jocking for who shouts the loudest for the African-American cause.